Master Recording Split Agreement for the United Kingdom

Master Recording Split Agreement Template for England and Wales

A Master Recording Split Agreement is a legal document governed by the laws of England and Wales that establishes the ownership rights and revenue sharing arrangements between multiple parties who have contributed to or have rights in a master recording. The agreement details the percentage splits of ownership, revenue distribution mechanisms, and rights management responsibilities. It includes provisions for copyright protection under the Copyright, Designs and Patents Act 1988 and addresses various aspects of exploitation including streaming, physical sales, and synchronization rights.

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What is a Master Recording Split Agreement?

The Master Recording Split Agreement is essential when multiple parties have contributed to the creation of a master recording and need to formalize their respective ownership rights and revenue entitlements. Under English and Welsh law, this agreement provides clarity on ownership percentages, revenue distribution, and rights management responsibilities. It is particularly crucial in the modern music industry where digital distribution and multiple revenue streams have complicated the traditional recording ownership model. The agreement helps prevent future disputes by clearly documenting each party's stake and rights in the recording, while ensuring compliance with relevant copyright and music industry legislation.

What sections should be included in a Master Recording Split Agreement?

1. Parties: Identification of all parties involved in the agreement

2. Background: Context and purpose of the agreement

3. Definitions: Key terms used throughout the agreement

4. Ownership Split: Detailed breakdown of ownership percentages

5. Rights and Obligations: Specific rights and responsibilities of each party

6. Revenue Distribution: Method and timing of revenue sharing

7. Term and Termination: Duration of agreement and termination conditions

8. Governing Law: Specification of applicable law and jurisdiction

What sections are optional to include in a Master Recording Split Agreement?

1. Administration Rights: Details of who manages the recording rights and their responsibilities when one party is designated as administrator

2. Territory: Geographical scope of the agreement when rights are territory-specific

3. Sampling Rights: Rights and restrictions regarding sampling of the recording when sampling might be relevant

4. Sync Rights: Rights and procedures regarding synchronization licensing when sync licensing might be relevant

What schedules should be included in a Master Recording Split Agreement?

1. Schedule 1: Master Recordings: List of all recordings covered by the agreement

2. Schedule 2: Revenue Split Details: Detailed breakdown of revenue sharing calculations

3. Schedule 3: Credits and Liner Notes: Agreed crediting for the recordings

4. Appendix A: Payment Details: Banking and payment information for all parties

Authors

Alex Denne

Head of Growth (Open Source Law) @ Genie AI | 3 x UCL-Certified in Contract Law & Drafting | 4+ Years Managing 1M+ Legal Documents | Serial Founder & Legal AI Author

Jurisdiction

England and Wales

Publisher

Genie AI

Document Type

Music Agreement

Cost

Free to use
Relevant legal definitions
Clauses
Industries

Copyright, Designs and Patents Act 1988: Primary legislation governing sound recordings, performers' rights, moral rights, copyright duration, and rights assignment/licensing in the UK

Music Copyright Evidence Act 1989: Legislation specifying requirements for documenting and evidencing ownership of music rights

Contracts (Rights of Third Parties) Act 1999: Legislation governing how third parties may enforce terms of a contract, relevant for music industry agreements

EU Term of Protection Directive: Pre-Brexit European legislation still relevant to UK law regarding duration of copyright protection for musical works

Common Law Principles: Fundamental legal principles covering contract formation, consideration, intention to create legal relations, and terms/conditions

Industry Standards: Regulations and guidelines from bodies like PPL (Phonographic Performance Limited) and BPI (British Phonographic Industry)

Competition Law: Competition Act 1998 and Enterprise Act 2002 governing fair competition and market practices in the music industry

Data Protection Legislation: UK GDPR and Data Protection Act 2018 governing the handling of personal data in contractual relationships

Teams

Employer, Employee, Start Date, Job Title, Department, Location, Probationary Period, Notice Period, Salary, Overtime, Vacation Pay, Statutory Holidays, Benefits, Bonus, Expenses, Working Hours, Rest Breaks,  Leaves of Absence, Confidentiality, Intellectual Property, Non-Solicitation, Non-Competition, Code of Conduct, Termination,  Severance Pay, Governing Law, Entire Agreemen

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