Co Publishing Agreement Template for England and Wales

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What is a Co Publishing Agreement?

A Co-Publishing Agreement is utilized when two parties wish to share the ownership and administration of music publishing rights. This document is essential in the UK music industry where collaborative publishing arrangements are common. The agreement, governed by English and Welsh law, typically covers revenue sharing, territories, exploitation rights, and administrative responsibilities. It ensures compliance with the Copyright, Designs and Patents Act 1988 and provides a framework for joint ownership and exploitation of musical works. The agreement is particularly relevant when publishers want to combine resources and expertise to maximize the commercial potential of musical compositions.

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Legal Engineer, GenieAI

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A Skadden-trained M&A lawyer, Imad advised on cross-border transactions and contractual risk before moving into legal AI. He reviews GenieAI's output for compliance and enforceability across our 150+ supported jurisdictions, as well as facilitating external benchmarking.

Jurisdiction

England and Wales

Publisher

GenieAI

Sector

Business

Cost

Free to use

Last updated

About the Co Publishing Agreement

A Co Publishing Agreement is a crucial legal document that establishes shared ownership and administration of music publishing rights between multiple parties. Under England and Wales law, this agreement governs how publishers collaborate to exploit musical works, defining revenue splits, territorial boundaries, and administrative responsibilities while ensuring compliance with copyright legislation.

When do you need this document?

You need a Co Publishing Agreement when establishing joint ownership of musical works with another publisher or when sharing administration duties for existing compositions. This document is essential when independent publishers want to pool resources for marketing and distribution, when major publishers collaborate on specific projects, or when songwriters assign partial rights to multiple publishers. The agreement is particularly valuable in cross-border deals where different publishers handle various territories, and when combining catalogue strengths to negotiate better sync licensing deals or streaming platform arrangements.

Key legal considerations

The agreement must clearly define the percentage split of ownership between co-publishers, typically ranging from 50/50 to more complex arrangements based on contribution levels. Revenue sharing provisions should specify how income from mechanical royalties, performance rights, synchronization licenses, and digital streaming is distributed. Administrative responsibilities must be clearly allocated, including who handles copyright registration, licensing negotiations, and royalty collection. The document should address moral rights of composers, particularly under English law where these cannot be assigned but may be waived. Termination clauses are crucial, detailing how rights revert or transfer upon agreement expiry, and accounting provisions must establish regular reporting requirements and audit rights for transparency.

Legal requirements in England and Wales

Under the Copyright, Designs and Patents Act 1988, any assignment or exclusive license of copyright must be in writing and signed by the copyright owner. The agreement must comply with the Law of Property (Miscellaneous Provisions) Act 1989 for contracts involving property rights disposition. When dealing with songwriters, ensure compliance with restraint of trade principles established in case law, particularly regarding exclusivity periods and territorial restrictions. The document must respect moral rights provisions, allowing composers to be identified as authors and object to derogatory treatment of their works. For international exploitation, ensure compliance with the Berne Convention requirements for cross-border copyright protection. Consider the Contracts (Rights of Third Parties) Act 1999 when third parties like sub-publishers may enforce agreement terms, and include appropriate Consumer Rights Act 2015 considerations if dealing with individual songwriters.

GOVERNING LAW

Applicable law

This Co Publishing Agreement is drafted to comply with England and Wales law. Key legislation includes:

Copyright, Designs and Patents Act 1988: Primary UK legislation governing copyright protection, including rights of copyright owners, duration of copyright, moral rights, and provisions for assignment and licensing of rights

Berne Convention: International treaty providing framework for cross-border copyright protection and establishing minimum standards for copyright protection among signatory nations

Law of Property (Miscellaneous Provisions) Act 1989: Legislation specifying formal requirements for contracts relating to disposition of property rights and written agreements

Contracts (Rights of Third Parties) Act 1999: Legislation governing how third parties may enforce terms of a contract, relevant for sub-publishing and administration agreements

Consumer Rights Act 2015: Legislation protecting consumer rights, applicable if one party to the agreement might be considered a consumer

Competition Act 1998: Legislation governing anti-competitive behavior and market dominance, relevant for territorial restrictions and exclusive arrangements

Data Protection Act 2018 and UK GDPR: Legislation governing the processing of personal data and associated rights and obligations in the UK

PRS for Music Regulations: Rules governing the collection and distribution of performing right royalties, including membership requirements and distribution policies

MCPS Regulations: Rules governing the collection and distribution of mechanical royalties in the UK music industry

Music Publishers Association Guidelines: Industry standards and best practices for music publishing in the UK, providing framework for standard terms and conditions

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