1. Sub-Publishing: Terms for international sub-publishing arrangements, used when international exploitation is anticipated

2. Minimum Commitment: Specific requirements for minimum number of works or compositions, used for multi-work agreements

3. Synchronization Rights: Specific provisions for film, TV, and advertising use, included when sync licensing is a focus

4. Digital Exploitation: Specific terms for digital platforms and new media, important for contemporary distributions

5. Creative Control: Provisions regarding approval rights for adaptations and arrangements, used for high-profile composers

6. Assignment and Sub-Contracting: Terms allowing transfer of rights or obligations, included when flexibility in corporate restructuring is needed

7. Non-Compete: Restrictions on composer's other publishing arrangements, used for exclusive arrangements

1. Schedule A - Musical Works: List of all musical works covered by the agreement with details of composers, lyricists, and shares

2. Schedule B - Royalty Rates: Detailed breakdown of royalty percentages for different types of use and territories

3. Schedule C - Minimum Promotion Commitment: Specific promotional activities and timelines the publisher commits to undertake

4. Schedule D - Pre-Existing Agreements: List of any pre-existing agreements affecting the works

5. Appendix 1 - GEMA Registration Forms: Required forms for registration with GEMA (German performing rights society)

6. Appendix 2 - Copyright Certificates: Copies of existing copyright registrations or certificates